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The #MeToo movement has inspired a slew of recent films, but few match the I like beer and motocross and maybe 3 people vintage retro shirt so you should to go to store and get this power and precision of the Australian director’s gripping workplace thriller. It’s a masterclass in subdued terror starring Julia Garner as a beleaguered assistant at a New York production company who confronts a culture of sexual harassment. Honoring it with an Oscar could show Hollywood’s willingness to change. Since her poetic road movie won Venice’s Golden Lion and Toronto’s People’s Choice Award, both major Oscar bellwethers, the Beijing-born director has looked unstoppable. Featuring a career-best performance from Frances McDormand, this wistful drama plays out in the American wilderness as a generation of workers become nomads in order to rebuild their lives following the 2008 economic crash. Ahead of the nominations announcement on March 15, we present 10 women who are poised to make history, and the extraordinary releases that you should add to your watchlist now.
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Renowned for her intimate and elegiac body of work, the I like beer and motocross and maybe 3 people vintage retro shirt so you should to go to store and get this indie darling’s most recent offering is a masterpiece — an offbeat western about a cook (John Magaro) and a Chinese immigrant (Orion Lee) who start a business with milk stolen from the first cow to arrive in the Oregon territory in the 19th century. It’s a tender tale of friendship that is guaranteed to stay with you for a long time. Surreal doesn’t even begin to describe the prolific multi-hyphenate’s latest project; a kooky comedy which follows a family of con artists (Evan Rachel Wood, Debra Winger and Richard Jenkins) who find an enterprising accomplice (Gina Rodriguez) for their nefarious schemes. Add bucketloads of pink foam, debilitating tremors, and a jaw-dropping ending, and you have July’s finest film to date. With its hallucinatory visuals and madcap performances, the American auteur’s gothic fable is a thrilling assault on the senses. Elisabeth Moss is haunting as a fictionalized version of the writer Shirley Jackson, who is erratic, homebound, and consumed by her latest novel. From its meticulous production design to the atmospheric cinematography and wry script, it’s a towering achievement. This father-and-daughter buddy comedy reunites the Oscar-winning writer-director with her muse Bill Murray, and the result is both poignant and hysterical. He plays a retired gallerist and eccentric parent of a writer (Rashida Jones) who suspects her husband (Marlon Wayans) of having an affair. To find the truth, the pair go on an adventure across New York and win our hearts in the process.
