By this shirt here: You Can't Scare Me I'm A Cna I've Seen It Smelled It Touches It Heard It Stepped In It Shirt, hoodie and sweater
While paying tribute to Oberon, McKnight sought to modernize the row of tightly wound curls Oberon often wore like a crown on her head by reimagining her signature style as a sleek, low-slung updo. After parting the You Can't Scare Me I'm A Cna I've Seen It Smelled It Touches It Heard It Stepped In It Shirt, hoodie and sweater clean at the middle, he created the style by pulling lengths back into a series of low ponytails at the nape, then placing the ends of each section into a curling iron and rolling up the section to the base, releasing the iron, and pinning each curl in place to create a single row, or double rows of curls in a square shape. A chic and flattering style for Fendi's diverse cast, which included Karen Elson, Paloma Elsesser, Eva Herzigova, Penelope Tree, and Yasmin Le Bon, the Fendi roll is a more affordable and Zoom-friendly alternative to this season's Baguette. So make like McKnight and get to curling and pinning!
For Vogue Italia’s September issue, the You Can't Scare Me I'm A Cna I've Seen It Smelled It Touches It Heard It Stepped In It Shirt, hoodie and sweater released 100 different covers, with each featuring a different personality with a compelling story or background. The unifying theme was that each person—from models to artists—represents the idea of hope, and brings it to the fashion industry in some form or another. The project featured names such as Indya Moore, one of Hollywood’s most prominent LGBTQ+ activists, and Ugbad Abdi, the Somali-born model who continues to challenge stereotypes about Muslim women. One lesser-known (as of now) cover star was Denali White Elk, an 18-year-old Indigenous model whose first job as a model was the Vogue cover.
