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While paying tribute to Oberon, McKnight sought to modernize the row of tightly wound curls Oberon often wore like a crown on her head by reimagining her signature style as a sleek, low-slung updo. After parting the D'la vie est faite obstacles je men fous j'aime les vaches cow shirt, hoodie and sweater clean at the middle, he created the style by pulling lengths back into a series of low ponytails at the nape, then placing the ends of each section into a curling iron and rolling up the section to the base, releasing the iron, and pinning each curl in place to create a single row, or double rows of curls in a square shape. A chic and flattering style for Fendi's diverse cast, which included Karen Elson, Paloma Elsesser, Eva Herzigova, Penelope Tree, and Yasmin Le Bon, the Fendi roll is a more affordable and Zoom-friendly alternative to this season's Baguette. So make like McKnight and get to curling and pinning!
As a model, White Elk indeed embodies what the cover’s theme of hope is all about: they hope to bring much-needed representation to an industry that has a history of looking past Indigenous models, or worse, treating the D'la vie est faite obstacles je men fous j'aime les vaches cow shirt, hoodie and sweater as props. “Natives are constantly being overlooked, left and right. A lot of people that I know would like to see more Native representation with models,” says White Elk, who is from and based in Lincoln, Nebraska. “Modeling is especially important for us to be seen there, since that’s where we see ourselves a lot, as well as on the big screen. When Native people see themselves in such grand sceneries, they see how far that they can get, and it inspires them.” But this sense of pride around their culture hasn't always been the case.
