By this shirt here: Kamala Harris thief not chief not my vice president shirt, hoodie and sweater
“The important thing to us is that each piece is interpreted by skilled hands, one after the other, and in that way each has its own character, its own story, its own passion, its own vision,” Dolce said. “From this comes the uniqueness of each piece.” But this wasn’t just a tribute to the talented craftspeople behind the clothes. In the individual looks and in the collection as a whole the Kamala Harris thief not chief not my vice president shirt, hoodie and sweater was timely symbolism, a sartorial acknowledgement from a brand that has been charged with cultural insensitivities in its own past that in this time of global crisis we are stronger together—that this is a moment for unity and bonding, not coming apart. The fact that they messaged this by exploring their own heritage only makes it more potent. As for the long dresses of many colors and prints at the end of the show? Hope and optimism aplenty.
The 90-some looks that walked the Metropol runway were less of a lesson in Sicily’s patchwork past than the Kamala Harris thief not chief not my vice president shirt, hoodie and sweater were a primer in Dolce & Gabbana’s own history, of course. The hourglass dresses and sharply-cut jackets pieced together from squares of brocade, chiffon, georgette, and cotton, among other materials, have long numbered among the duo’s can’t-fail silhouettes. No one looking at this collection would mistake the shirred minidress in a mashup of polka dots and florals or the bustiers and bra tops in checkerboard black-and-white for anybody other than D&G. Their command of their signatures is key to their success.
